Robert Mitchum the Wrath of God Movie Review

The Wrath of God

They offered them a choice—THE FIRING SQUAD . . . or The Wrath of God

Set in the 1920s, several foreigners held by a Due south American armed services group are offered possible liberty if they have to topple a local crazed military leader.

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Alternative Titles

Гнев Господний, Гнев Божий

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Popular reviews

Begetter Mitchum is a bad ass 🤨
Following his turns in the iconic "Dark of the Hunter" and the 1968 western "5 Card Stud", once again we accept Mitchum playing a mysterious priest prone to violence. This fourth dimension he too happens to tote around a tommy gun in his leather carrying pocketbook...and boy, does he like to utilise it.

Set in the 1920's during the Mexican Ceremonious State of war, Mitchum plays Begetter Oliver Van Horne, who enjoys drinking heavily and taking the Lord's name in vain. Following a serial of (related) circumstances, he gets thrown into captivity by a South American military group with two other men...an Irish adventurer (Ken Hutchison) and a gun-smuggling con man (Buono, in scene chewing mode). The trio are offered a chance at…
if "Robert Mitchum dressed as a priest taking out a town of corrupt state officials with a tommy gun" doesn't get you horny, while I hate to pause it to you lot, only I don't call back we fuck with the same movies.

(Okay yes the first half of the movie is pretty incoherent and you have to have a surprisingly strong cognition of the secular vs religious struggle in the Cristero War, just that said, ROBERT MITCHUM PRIEST TOMMY GUN WHAT THE FUCK Near THAT DON'T YOU LIKE)
Vehement, offbeat western featuring Robert Mitchum as a machine gun wielding preacher folks you best believe that's fun for the whole family!
This is very, very, good but if i hadn't read the book which is leaner, meaner, and ain't no in-betweener....i'd of probably liked it even more. Man the book strongly suggests this great little B moving picture, and the motion picture kinda beefs upward the redemptive/religious aspect too much....in the book that'southward all at that place, only information technology doesn't like take over the narrative the way it does here...well perchance information technology does a petty bit...i hateful Mitchum does go tied to a behemothic cross at 1 bespeak, but here his priest graphic symbol finding his religion thru disposed to the villagers is a major plot point, and in the book its a bit more implied and remarked upon than fully shown outright. (Damnit movies, why…
Robert Mitchum as a priest who not only wields a Tommy gun but kills a man with a switchblade crucifix? Victor Buono doing a fine Sydney Greenstreet in the Maltese Falcon simulated with a sword cane and later drives a jalopy with a giant tree as a battering ram tied to it? What? Where has this been all my life?

Why is everything ending in a question mark?

This movie baffles and delights in it'due south nonsense.

Rita Hayworth's last role! I don't think I have seen much of her outside of her classic Hollywood work and I wouldn't take recognized her if not for her existence in the credits playing Frank Langella's mom. That'due south funny likewise equally I'm not used to seeing him equally a young man.
What better way to spend a Sun morning than watching Robert Mitchum as a (tommy gun-toting) priest?

A wild ride and I didn't hate it.
End me if you've heard this one: An Irish expat, an English gun runner, and a tommy gun toting priest walk into a South American hacienda.

Robert Mitchum (my guy) plays a "lapsed" Catholic priest who has transitioned careers into being a professional tough guy. He meets up with an Irishman, who wishes he never stepped foot on Due south American soil. The Irishman gets blackmailed by a fatty gunrunner to human activity every bit courier for a shipment of weapons. All three of these men get captured and about executed past a firing squad.

A local bad guy wants a different local bad guy killed, and so that he tin control the entire region. He uses our three anti-heros to do his dirty…
y'all know what, it sold me on the idea of gun wielding priest robert mitchum and it delivered with style. he even diversifies his arsenal by throwing a pocketknife at one indicate, and i experience extremely fulfilled correct now, spiritually, then i guess i tin can't really mutter about anything else. it had a selling point and information technology stuck to information technology! i've never been an religious but if my local priest was a gun wielding knife throwing robert mitchum well : ) i might reconsider : )
The second half of the Mitchum western double feature -- Mitchum may or may not be an actual priest who keeps a tommy gun in a bag past his side. He teams upwardly with an Irish rebel and Victor Buono to kill Frank Langella - an evil despot deep in Mexico.

There's some plot bug that are pretty meaning - the commencement and biggest 1 being Father Van Horne sets up the perfect program to kill Langella - has it all ready to go and then doesn't execute. But if you take it as a Mitchum vehicle in which you get to see him do what he does best, you'll dig information technology pretty practiced.

And call back, as Vance Sanders said - DOUBLECROSSED. It will all make sense at the end.
If anyone ever want to lookout man a gringo Eurowestern made by a lousy Hollywood liberal, The Wrath of God exists. There'southward no shortage of sleazy beats on the picaresque corrupt plot and likewise not even a hint of specificity towards the Latin american setting or basic effort to brand the peasants matter (the real subject is the salvation of Hollywood stars souls, of course). The action is very slapdash, but it only keeps coming and there's some energy to spare even if the entire thing feels slight aback of its exploitaton urges. The sight of an unhinged Frank Langella in a western setting would probably give me some nightmares fifty-fifty if his grapheme proper noun wasn't Tomas De La Plata. In the middle of all this crap, there's Robert Mitchum equally a machine gun totting mercenary/lapsed priest and he is half bored half glorious and single handled keeps the moving picture watchable. A must for Mitchum completists at least.
Many of the aging male stars of the 'Golden Age' dipped their toes into the changing times of the 'New Hollywood' with the more adult turns of sex, violence and language. This one was Robert Mitchum's turn to add together his marking in a bloody shoot 'em up turn of the century western near politics, greed, and blasphemy. Rita Hayworth is forth for the ride,